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Showing content with the highest reputation since 06/10/2020 in Posts

  1. 5 points
    I hope all the dads out there had a great Father’s Day this past weekend! Daddy’s little girl got her first glimpse at her future superhero life! A little mini VFX shot I made over the weekend, animated in cinema 4d, and rendered in octane! Make sure to subscribe for more fun videos weekly!
  2. 5 points
    Boris FX just released the standalone version of their software Particle Illusion for free. More details here: https://borisfx.com/products/particle-illusion/ I haven't tried it myself yet, but apparently the entire thing is pretty much fully featured, and has almost no restrictions (even supports up to 8k ProRes). The only downside is, it's standalone only. No integration into any compositing software.
  3. 5 points
    This is the process of a fictitious soda commercial I created, in the video I talk about the process of creating a motion design project, thoughts, idea development, constraints etc. Hope that something will find value in some of the content The animation was rendered in Redshift on a single 1080TI.
  4. 4 points
    I have been using "Set Selection" on many occasions. Be it to create selection tags to apply different materials to an object. Or simply as kind of a clipboard to temporarily hold a set of selected polygons during modeling. However, in most cases I do not have enough with a single selection tag. It can happen that during a modeling session I need a few temporary selections, to be picked up later in the process when I need to work here and there on a model. As such, in the past I had a love-hate relationship with the "Set Selection" command. It was a very useful tool, except that it required me to always deselect the newly created selection tag before I could create another one. Reason for this is that if you perform a "Set Selection" with a selected tag, the newly selected items would be merged into the selected tag ... instead of being created in their own separate tag. I mostly use the Commander to quickly type "set se" and press enter. Or I would add the "Set Selection" icon into a modeling palette and dock it in the layout. Still, in order to be able to create multiple selection tags, I would need to execute the command, deselect the tag, and proceed with creating a new selection. NOT ANYMORE ... It finally annoyed me so much that I spend some time writing a script to provide the functionality to perform a "Set New Selection" ... NOT overwriting the current selection tag. This script will create a new selection tag of its own, use an appropriate unique name (just as the native "Set Selection"), store the selected items be it polygons, edges or points. I call it: Set New Selection. The good thing is, that you can execute this script from the Commander, or drag the icon into a palette and dock it into the layout. AND it can coexist next to the native "Set Selection". Which means you can still use the original behaviour if you want to overwrite a selection tag, or use the new one to create separate tags each time the script is executed. Isn't that neat? Yes, I thought so too! And the best thing ... it's available here, and it's ... wait for it ... free !!! Set New Selection.zip
  5. 4 points
    wish the release notes and Service Pack update release notes would have alot more detail. instead of something vague like "update to calibration tag", say what the fixed,added,improved. what was the problem.. in 2-3 lines
  6. 4 points
    Hi, I was wondering why I never see just one person making "shorts". Now I know.. In the end, the list of “necessary” fixes only got bigger. I had to ignore it in order to post this in a decant time frame.. It's t actually far from done. I used C4D. No plugins or pre-made assets where used. Yes I’m aware the bow is reversed, thought it looked cooler. The character is a girl, sidekick of Fred. While she can do magic, Fred just likes bananas. You can follow me for more on: https://www.instagram.com/myosis/ https://www.artstation.com/myosis https://myosis.cgsociety.org/
  7. 4 points
    Just refreshed and it works now. Phew. Pretty good deal...on a perpetual license of course. And the timing is great as I was looking for a reward after having successfully putting my youngest daughter through college!!! Dave
  8. 3 points
    And this one is pretty good as well:
  9. 3 points
    You can't. While polys and points exist as object data, edges are just the connection between two adjacent points on a polygon. Without polygon information, there is no edge. You can create a linear spline from the edge, of course. But that's not the same as an edge collection.
  10. 3 points
    Personally I would consider upscaling out of the question under almost any circumstance - certainly not normal workflow by any means. Always render out at the resolution you need, or higher, for later downscaling. CBR
  11. 3 points
    @HippoDasTamus The first file save was 4 weeks ago from today. Most of the time went into rigging, cloth simulations and particles. All these systems feel outdated but served the purpose. Except for the particle emitter I ditch that and draw them in by hand... Animating a sphere over a spline. (Far from ideal, but fast) Modeling texturing and rendering went fast, I hardly took time to “revisit” any. As for the texturing, I like body paint unfortunately it’s been getting worse with each new edition of C4D. I’ve briefly played around in substance painter, but there wasn’t much to texture, a simple fabric bump and some stitches did the trick. There is a small piece of that in the “making of” video. I should work with more software “for better results”. If I had to choose I would probably learn Houdini. And then switch completely Yes, doing UV’s in C4D sucks. I relax using an edge selection but this never gives me symmetrical results, I then have to copy, delete, and flip.
  12. 3 points
    Wow....amazing. I do appreciate the amount of work you put into those 6 seconds and can therefore understand your first comment: "Now I know why just 1 person does not make shorts" Not sure what you have planned, but I hope that the lighting, modeling, texturing and rigging (which you did to an outstanding level of perfection) were the lions share of the work that needed to be done. Hopefully, the rest of the work (animating?) goes quicker and therefore keeps your interest and energy level high so that we benefit from seeing more. So please don't be discouraged! I personally can't wait to see what comes next! Dave
  13. 3 points
    looking at rfanoni's post even the resellers are confused. In principle a new deal with the posibility to hold the R21 license is a good thing. But why only active MSA Holders? They should get S22 anyway. And the ones that don't have a active MSA anymore... well MAXON canceld them not the users. It is just a matter of luck or bad luck if someone still has a MSA or not. Sorry to say this but it is still a chaos. and yes: 5G doesn't cause corona! No doubt about that. We should add this statement to every post
  14. 3 points
    Update: I have not worked on this plugin for ages. Which means I haven't had the time to add support for the new node-based material system introduced in Cinema4D. Because of this I am provided the plugin here, free of charge, for anyone who still might take advantage of its feature set. The latest version (available for download at bottom of first post in this thread) should work on R17 - R21. I haven't tested S22, since not available to me, so feel free to provide feedback if it does. It definitely does not work on R16 and previous, and I do not have any plans to spend time in making it work in those versions of Cinema4D. There is no documentation available, except for the information provided in this thread. If anyone would be interested in providing detailed documentation, be it written or as a video tutorial, feel free to provide a link here. PS. I do want to keep this plugin exclusive to C4DCafé. As such, please do not distribute or upload the plugin anywhere else. Please respect the work of others, and don't claim credit for things you snatched somewhere.
  15. 3 points
    Its quite hard to see but if you go to a zoomed in view you can actually see what's happening, re the grabs below. you can see some small movement in the first one, that's the current 30th of a second, and then longer at 1/2 second and streaky at 2s but if you zoom out the same 2 seconds doesn't look like much as it doesn't travel that far relatively in the frame, for to to travel further you need to up its speed in the emitter, to 2000 in the last grab. but all of the time it gets fainter and in your reference image each individual streak isn't that long either. I don't do much animation but I imagine the effect of all the individual frames will give that effect when run together. Deck
  16. 3 points
    If the stored animation is deformation (so not PSR animation) you'll have to go through point positions. Two solutions: 1. Cloner (simple) You can use a cloner to constrain an object to a polygon or point selection. To create the selection just make a copy of the abc generator, make it editable, select the face or point you want to use, set a selection and copy the selection tag back to the original abc generator. You can now use the selection tag in the cloner to limit the cloning to only the faces/point in the selection which should do the job. 2. Xpresso Xpresso in theory works as well and gives you more control but unfortunately the point node doesn't accept abc generators as an input. For that to work you'd have to run it through a python node to extract the cache. To do that create a python node with one input and one output both of type "link" and pase the following code in there: def main(): global Output1 Output1 = Input1.GetCache() Now you can use this node as an "adapter". The point node has an index input that allows you to pick the point you want to use. You can use to neighbouring points to create your own matrix to get proper alignment.
  17. 3 points
    The vast majority of these fixes pertain to new features added in S22, including the UV workflow enhancements and the implementation of the new modeling and viewport cores.
  18. 2 points
    Hi Everyone! Here are the final renders of my first serious project in C4D. I initially started this as an exercise in modeling, somehow it came to this. I myself am aware of some of the shortcomings in this scene, but I'd like to hear some honest peer critique. More pics in higher resolution can be found here: https://www.behance.net/gallery/99589199/F1-Race-Concept-Car-Project
  19. 2 points
    Dynamic cars is my fav part of C4D.
  20. 2 points
    Hi, you can make a selection object for that: select all your controls relevant for your character in the object manager (and also add keyframe selections on all animated channels for each object), then go to select> selection filter> create selection object and all your controls will be summarized under this object that will pop up in your object manager. After that you can just double click on the icon of the selection object and it will automatically select all of your rig's controls so you can easily set a keyframe. I would recommend to do this while rigging for every rig, as it is something you will most likely need for every animation, for setting the first pose at least
  21. 2 points
    This tutorial shows how you can do a dome with hexagonal segments.:
  22. 2 points
  23. 2 points
    Indeed - a scene file would show us what distortion is remaining in your unwrap as we'd be able to load it into later versions. But what you have now will certainly work, and you can check this very easily by loading a typical UV checker bitmap into a temporary material and applying it... CBR
  24. 2 points
    Added original file, where I encountered the problem, to first post. For screenshots I recreated the issue with cubes to be sure that the problem is repeatable.
  25. 2 points
  26. 2 points
    I agree with both you on the points that you are making: 1) That I am brilliant and 2) We need an optimize command for splines! ...sometimes I crack myself up. But given that splines can get wonky (and you would think that is not usually the case), Cerbera has a valid point. Dave
  27. 2 points
    Let's see if they will maybe even support multi-GPU, that would be truly great
  28. 2 points
    You don't need any plugins. Here is how you do it. 1) Place the spline under an extrude under a connect: Extrude the spline by a huge amount in the Y axis (like 2000 cm) Then hit current state to object. That should give a set of connected polygons. Use a rectangular selection in a side view and ONLY select the bottom plane of polygons. With that selection, then hit "Edge to spline". You should now have your connected spline as well as you extruded polygons. See attached; Coastline-connected.c4d I hope that helps. Dave
  29. 2 points
    Yes I had the same problem, it turns out that the Beta release expired on the 26th of June, so you can no longer use it. It took me hours to find that out after reinstalling again and again and then contacting customer service. But the service guy told me they will launch the official version early July, so it won't be long until we can use the new features again
  30. 2 points
    Surprised nobody has mentioned the summer sale yet or have I missed the post. Deck https://www.MAXON.net/en/news/MAXON-news/article/coming-soon-our-30-off-blowout-summer-sale/
  31. 2 points
    Learn how to create a "Real 3D Hologram" by utilizing the Split Depth Optical Illusion Effect. The "Split Depth Effect" is where you perceive 3-Dimensional movement on a 2-Dimensional surface, without any external trickery, or without the aid of things like 3D glasses. This effect is entirely perceptible with the naked eye. This effect works great as VJ loops for live shows, concerts, and events. Especially when the animation is played on large surfaces, like large LED Walls/installations, and Projection Mapped Surfaces. Here are some more generalized examples of the split depth effect and how it can emulate 3D movement. However, instead of using intersecting bars, we will be utilizing the entire frame of our scene to achieve this effect.
  32. 2 points
    Hi everyone, I'm Sol! I'm new to C4D - actually this is my first time learning any creative software. I usually do ceramics, so this is intimidating. But glad to be here!
  33. 2 points
    There is no button to repeat your last stroke. But what you could do is draw a spline on the surface and use that with snapping to draw your stroke onto the surface. And I think... you might be able to double click (or right click, or something) to apply it to the line as well. I am a bit foggy on it these days, but I do think drawing/snapping to splines drawn on the surface will do what you want. But you will need to draw, undo, draw, undo until you have the look you want. Then double click a few times to apply it over and over to get the final look you are after. I also have a "Duplicate Sculpt Layer" command in my own plugins (https://www.plugins4d.com/sculptpack) which you could use to draw your strokes onto one layer, then duplicate the layer to add the same effect again. When you are done you can merge the layers together. You might also be interested in this video I made a couple of years ago, since I made it to help out users coming from zbrush If there are any features for sculpt brushes in zbrush that that you would like to have in C4D then just let me know. I really should get back into making more brushes and features for people.
  34. 2 points
    Nige's tutorial there remains perhaps the best there has ever been about that tool... CBR
  35. 2 points
    Here's a tutorial that some joker made a few years ago. This may help.
  36. 2 points
    I always find this kind of thing a bit of a slap in the face for those of us who have paid full whack.
  37. 2 points
    This is huge! Ever since Vue decided to stop supporting their Carbon Scatter plugin for C4D I have missed this capability (not wanting to invest in Surface Spread). Insydium.....they just keep going! All they need to do is develop a modeling programs and then all their plugins will walk off and form their own DCC app. Dave
  38. 2 points
    Increase angle in tool to more than 90 degrees... CBR
  39. 2 points
    Beta 4 available for download (at bottom of first post). While my current main focus is on developing for R20 (the latest version I am happily using) I do have spend the necessary time to port the plugin to versions R16 to R21, both for Windows and macOS. Unfortunately, a bug in R16 (maybe R17 as well) seems to interfere with pasting geometry. As said, for now I am focusing on R20, and will look for a workaround for the R16-R17 bug later on ... if there would be any interest for these versions. I have no access to S22, so cannot test if the R21 version of the plugin will run on that subscription version.
  40. 2 points
    Cycles 4-d node editor is pretty awesome and the best part. Great UI and a pleasure to work with. The latest release brought even more improvements. Having the parameter values accessible on the nodes I think is very intuitive. I can just have one monitor dedicated to node editor and not even have to use the attribute panel if I don’t want.
  41. 2 points
    Check out my newest weekly fun little live-action VFX shot! I'm going for more of a cartoony/realistic vibe. So it's not to scary, and more fun. Animated in Cinema4d and rendered in Octane! Only 10% of my viewers are subscribed to my channel! Make sure to subscribe for more fun videos weekly. https://youtu.be/xFGFk5iKCDE
  42. 2 points
    Depending on whether you want to see this logo from another angle, you could simply do this with the polypen. Here is an approximation of the upper part with the Houdini equivalent of Polypen (which is a bit worse than C4D). Add a few edge loops and subdivide to create final form. As CBR indicated, the tip should be simplified/reduced to "kite polygons". There are a couple different ways of seeing the shape, and I'm not sure which way you want to go.
  43. 2 points
    That is banding. 8bit is not enough to display all the colors in the gradients, so you get these setps. Your solution is either dithering the 8bit map or recreating it in 16 or even 32bits.
  44. 2 points
    True, that, about the same. It's a very simple script after all. Materials can have user data, though, which would make it possible to script someting like: - if the script is run, and the material doesn't have any user data, it will add a checkbox "override" set to False, and set the texture size to whatever you hardode. - if the material already has that checkbox, it will look at the value and determine whether to set the desired value (override) or keep the manually set value (not override) That way, each material in a scene would remember whether to obey the next script run, or keep a manually changed value. (I'm sure there could be even better ways to automate, but I'm too lazy to think about them now .)



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