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Showing content with the highest reputation since 12/22/2012 in all areas

  1. 13 points
    Hi All, This is my first time at Siggraph in a long time! Last year I had just started at MAXON and it was too late to attend. I am extremely excited to be going back to Siggraph and with MAXON! It will be busy, but in between meetings I will be hanging at the stand. Please do come by and feel free to say hi. It is going to be a fun show! Cheers Dave
  2. 10 points
    just finished a new animated gif called "mind your own sh*t". i hope you'll enjoy.
  3. 10 points
    Found time to pick my creature sculpts back up: Some people asked me to do a screen-cap previously, so for this one I did. 2x 35 min videos at 20x speed for anyone with the patience. Modelling/ Painting, Render & Post:
  4. 10 points
    Hey Cafe I've been on some pretty epic modelling adventures recently for an upcoming film project. My producer has kindly allowed me to post some WiP shots of the base model for our close up hot air balloon. This is the first round model, enough to begin simulations on the envelope, so there are still details and additional ropework to add / refine, but we are most of the way there. *Vital Stats* Objects: 940 Polys: 80,218 (100% quads) Subdivided Polys: 6.75 million Modelling Hours so far: 32 The wicker work was certainly an interesting one, as were the tie lines, and various bits of rope style business, and the burner shrouds. All in all a very rewarding thing to model ! Here's some wires and clays... CBR
  5. 9 points
    Here's Part 2, in which we make the base using a nice easy lathe... If this post gets more than 5 likes I will make Part 3 - the difficult scroll top ! ;) CBR
  6. 8 points
    Many people are disparaging MAXON's new CEO as some sort of "marketing guy from Adobe", but this is false, and unfair. His previous roles were all in engineering and engineering management, not in marketing, and he would in all likelihood not have been involved in Adobe's licensing changes over the last few years. Its fine to express all sorts of opinions about the changes in MAXON's licensing, but let's not resort to that kind of ad hom. It's not productive.
  7. 8 points
    The other day my pc crashed with several apps open. C4D survived ok, but Photoshop had reverted to OOBE - welcome screen, load of panels I don't use etc. I tweaked PS back to how I like it and that was that. 2 days later I needed an image for C4D, so I opened PS and created a 1000px square doc, only to get an error message 'could not complete operation - disk full'. I looked in explorer and sure enough my SSD was bright red and completely full. I closed everything and ran virus check, and other stuff and the SSD went back to normal. I opened PS - disk full. This went on and on - problem kept appearing, disk full. Didn't Einstein say that repeating the same thing, expecting a different result is a sign of insanity ? On the 10th attempt, I opened PS, made a doc 1000 ... hold on 1000 INCHES ? The PS reset had set the default units to inches, and I was trying to create a doc 7,000 square feet. PS standard res is 300dpi, so pixel-wise I was out by a factor of 10^5. panic over...
  8. 8 points
    A while ago the Polystein Kit for MODO (see https://www.c4dcafe.com/ipb/forums/topic/98647-polystein-kit-for-cinema-4d/ ) was introduced to me. From that moment the idea kept growing in the back of my head to provide something similar for the Cinema 4D community. Once other priorities were out of the way, I started working on some scripts to test out the feasibility of my interpretation of the idea. Once a working concept was obtained using several scripts, I contacted William Vaughan, the original creator of the Polystein Kit, in order to obtain approval to take his idea and turn it into a Cinema 4D plugin. Working from the scripts made earlier, I started implementing this new plugin, which I named "PolyGnome". Explaining the choice of the name would be a story too long to tell here, so I 'll prefer to leave that for long, cold and dark winter nights ... The current state of the plugin does use it's own library implementation, instead of using the Content Browser. There is more than one reason for this, but since quite technical, I'll omit to explain these as well. As mentioned in the video demonstration, the current beta version requires a two step preparation of assets. I have some ideas to automate these steps, but more important features need to get implemented first. The plugin will be available for Windows and MacOS, R17 and above (hopefully R19 won't break anything SDK related ... fingers crossed). Possibly R16, if there is enough interest. Depending the feedback from beta testers the plugin will be available sooner or later. Release date and price to be announced. Here's already a teaser, explaining the different steps: As for my other plugin(s), which all have their dedicated threads, I'd like this specific one to be the home for discussing anything PolyGnome related.
  9. 8 points
    Hey guys. I was asked by 3DArtist to write them a tutorial/break down for their Magazine. The tutorial is from my Tyrion Lannister portrait, and covers quite a bit over a 16 step break down. I had made some additions to it since its been posted publicly, that being the clothes where textured using Substance Painter. The core focus of the tutorial is Cinema 4D in which was used for Modelling, base sculpting and hair, although I talk about the full process. Anyways, check it out, should be out by Tuesday 10th April. Sampler here Latest version of the image, Original rendered at 5550 x 3700 Artstation limited to 1920 x 1080 : Click here Dan
  10. 7 points
    So far, someone from MAXON will gladly chime in to explain some aspect of the subscription plan. They will also chime in to defend the position that Prime MSA holders can get a Studio R21 license via their last MSA purchase for about 1/3 of what Studio users have to pay ($250 vs. $720). Their defense though again gravitates towards subscriptions: "that is why Studio users can get two years of subscriptions for a 20% discount". But what took literally a ton of emails to sort out was that if you should ever take that offer in the future, they will deactivate your perpetual licenses - in essence locking you into subscriptions. They were very shady in divulging that information and it took some robust dialogue and painfully direct questions to get them to finally answer it. Now, where MAXON is COMPLETELY silent is defending why we should accept a 50% increase in renewing their annual perpetual license over what they paid for via the MSA program. Not one word of explanation or spin as to how this is in our best interests. Maybe they can say "well we canceled the MSA program" and that is the price of an upgrade without the MSA program. So we really didn't raise prices, we just cancelled a program. But then defend this: WHY DID YOU CANCEL THE MSA PROGRAM? Well, there is no defense. The MSA program was cancelled because they want people dependent on paying annual subscriptions for the simple reason that a companies "appearance" of value increases with a re-occurring revenue stream. It is a great selling point during quarterly earnings reports to say that subscription revenue growth is increasing and makes up a large portion of their total revenue. So in Nemetsheck's and MAXON's eyes, their thinking is "hey, we will make the annual cost of a subscription the same as the old MSA price so users will eagerly switch over of a subscription model. While it won't increase revenue (this year), changing the source of that revenue to re-occurring revenue is a great message to our shareholders." So again, the benefit is all MAXON and there is no way anyone from MAXON can defend this position on a community forum in any way that users will accept. Shareholders love it, but we don't because it provides us no value -- so why defend it. They tried to put lipstick on this pig by selling it as "3D for the whole world". No. It is "higher stock price for Nemetschek" and don't ever forget that. Again, the only thing they will listen to is a drop in revenue beyond what they forecasted. Right now, we are all exercising our last MSA purchases. The true test will come with what we do with R22. Do we convert to subscription? Do we pay the higher perpetual costs? Do we go somewhere else? That is why R22 will be a critical for both MAXON and for us as well. And don't think for a second that subscription prices will remain the same over time. Trust me, once they have coerced a large portion of their user base to subscriptions, those prices will rise. Maybe not in huge jumps, but they will steadily go up. And now you are really stuck. There are no alternatives but to pay at that point. While I love the fact that we have this great participation from Mr. McGarvan in this discussion, our complaints will make no difference and will generate no discussion from MAXON. Sitting on our wallets is the only voice we have. Dave
  11. 7 points
    Welcome. I read all these posts and I am heartbroken and amused at the same time with the despair that many present. You are looking for conspiracies and dramatizing the situation. And yet everything is clear and obvious! So maybe I will help and explain in points. Everyone who has active MSA on September 1 will get a perpetual version of R21 + access to Cineversity - nothing changes here for MSA owners. The validity of access to Cineversity for MSA owners ends on the day the MSA expires. If someone wants to have access to Cineversity after this time and does not want a Cinema 4D subscription, they can buy independent access, as it is at the moment. MAXON plans special offers for MSA owners as MSA ends. These offers are not yet known. Anyone who has any version of Cinema 4D without MSA will be able to upgrade any version to perpetual R21 - that is, as it was, but there will be a bonus for owners of older versions of Cinema 4D who can upgrade to the perpetual version at a more attractive, the same price. From September 3, the R21 subscription will appear on the MyMaxon website for purchase in monthly (84.99 Euro net payable monthly) and annual (49.99 Euro net payable in advance = 599.88 Euro net) + mutations with RedShift. Anyone who has MSA (regardless of what Cinema 4D version they had before) will get perpetual R21 and will be able to have any number of subscriptions at the same time - one is not mutually exclusive. So you can, for example, buy a monthly or annual R21 subscription at the normal price and have a perpetual R21 all time - all on one account. During the MSA you can, but do not have to, convert your perpetual version to subscription. This conversion gives a 20% discount on subscriptions for two years, but you lose a perpetual R21 (this is a bundled transaction, the discount comes from somewhere). Then all previous versions up to R20 are still valid. There are people who have always bought MSA always wanting to have the latest version and have no attachment to the old versions, so it's attractive to them. When someone updates their MSA in August now, they are in a very good position. It has its perpetual R21 and can easily wait what MAXON will present next year in August. The prices of the perpetual update R21 to R22 will be known later, probably next year during the presentation of R22. Versions from R21 can be installed on any number of computers. You can remotely take over licenses - i.e. you go home and take over the license on a laptop. Licensing is checked every 14 days to make sure that someone under one license uses Cinema 4D on 10 computers. Since the R21 version there are no serial numbers, hence the plugins that required the number must be updated. Those that did not require a serial number will work. So to sum up. If you have active MSA in September, you get perpetual R21 + Cineversity. When MSA expires, you'll be able to continue using it and purchasing only Cineversity access. When R22 appears next year, you will be able to upgrade your perpetual R21 to perpetual R22 at the price announced next year. You will also be able to convert (if you have MSA active) your perpetual R21 in R22 and then in R23 with a 20% discount (but you lose the perpetual R21). You do not have to convert or upgrade your perpetual version but buy a subscription at a normal price, monthly or yearly. You stay with perpetual R21 and you have the R22 subscription. Everything that I wrote above is explained many times and on the MAXON website and on the forums, I do not understand what is incomprehensible to someone here. Personally, I am very happy with the subscription. It will be appreciated by everyone who has a company that is developing and when new jobs need to be prepared. It also gives you the chance to standardize different versions of Cinema and other older 3D programs in the company (e.g. Softimage). Thank you MAXON! :)
  12. 7 points
    Combined my Samurai project with my Honda NR 750 project...I was also watching Ready Player One when I made this. I really wanted to do the entire city background in C4D but my aging computer wasn't up to the task (I had to cut down my Subdivisions to get it to go, computer kept running out of memory!)...I was lucky to get the motorcycle and rider even rendered. The only things I didn't model myself in this scene are the background photos and his sword. Everything else I modeled from scratch. You can see the post process work in the gif. Let me know what you think!
  13. 7 points
    Hey Cafe It seems that MAXON, whose Quick Tips videos used to be about the limit of what they did tutorial-wise (apart from Cineversity of course) have upped their game recently, and have just dropped the first 2 parts of what will be a massive 16 hour multi-part tutorial on building a space colony environment by Adam Benton. It's very thorough, and covers everything from initial sketches and planning through to render settings and post work. This will be most helpful for beginners and intermediate users to show them a complete project process I'd imagine, but also worth the more advanced of us giving it a look as it's quite an interesting project aside from any skills development. So just linking that for whoever hasn't seen it yet. Here's the first part - the 2nd part links on from that. Hopefully they'll be some more of these - and thanks MAXON for doing this one ! CBR
  14. 6 points
    I do hope that they are still trying to sort out what the cost of perpetual upgrades are going to be because what I am hearing from MAXON USA representatives is that the cost of upgrading in the future will be as if your MSA program no longer existed. For example: Prior to 9/1/2019, the cost of an MSA was $725 and with that your got the next version. If you did NOT have an MSA, then the cost of upgrading to the next version has been $999. From 9/1/2019 onward, MSA's no longer exist. Therefore the cost to get the next upgrade will be $999. This has been clearly stated over and over again, so I have to assume that is the current policy that MAXON would like to stick to unless there is significant push back from the user community. In MAXON's mind, they are thinking "Well, if you want the same price then go with subscriptions". Subscriptions hold the user captive and free MAXON from the consequences of not releasing new features per any schedule. If you don't like the pace of development and stop paying the subscription price, then you can't use the program. Imagine if MAXON decided NOT to release R22 until 2021. Subscription users are essentially paying $1440 to keep using R21 over that 2 year period. Perpetual license holders of R21 pay only $999 over that same period. That is an extreme example, but you get the point...subscriptions free MAXON from the financial consequences of not delivering meaningful updates on a regular basis. Subscriptions are NOT to your advantage...they are to MAXON's advantage. Never forget that. So MAXON wants people to go to subscriptions or pay a 53% cost increase in perpetual upgrades (from $650 to $999 in less than 2 years). Either path is an advantage to MAXON....none to the user. No matter what type of crappy "3D for the whole world" spin you want to put on it, you need to realize that this is their agenda. It is an agenda that Nemetschek put in motion by forcing the founders out and hiring an Adobe transplant to execute. Disregard EVERYTHING that any corporate shill from MAXON tells you....it is greed, plain and simple. This is a different MAXON. Well, there should be consequences to treating your user base this way and that is what MAXON is going to try an gauge over the next year. What MAXON has yet to figure out is what will every MSA user who upgraded to R21 perpetual will do when R22 comes out when faced with a $999 cost to continue being a perpetual license holder. Yeah, Prime MSA holders are dancing in the streets over getting R21 Studio for $250 today but what they have yet to realize is that their annual costs increase 400% to $999 if they want to keep using R22 perpetual. Even if they decide on subscriptions, that is close to a 300% increase in their annual costs (and again close to 400% if you use Redshift). So again, if MAXON is still "taking their cues from the user-base" concerning perpetual upgrades, they are in fact wondering two things: "Will we get away with a massive price increase on perpetual license sales to pretty much everyone when R22 comes out?" "Will everyone instead move to subscriptions which gives us all the power in deciding how to release new features?" So despite what everyone is talking about, the line in the sand is not today (9/1/2019) but rather whenever R22 is released. That will be the big decision point for everyone because right now life is normal...we are all under the MSA program one last time and paying what we paid in the past. The big decision point is next year and that is why MAXON is listening to us today. So my hope is that a 61 page thread of rage over the "new" MAXON makes them realize that the users are NOT going to take this quietly. I hope MAXON steps out of their echo chamber and listens to our disappointment in them as a company that we trusted for decades. I hope they feel the silent pull that Blender R2.8 is having on us as users and drop their arrogance over the purity of their new core and recognize that Blender has some pretty good features that C4D does not have...and they have them for FREE! The new Blender interface lowers the learning curve significantly so that just makes a decision to forego a future with MAXON that much easier. I hope MAXON takes to heart that the Blender Organization gives us something that the MAXON organization is trying to take away: Freedom from incurring significant financial consequences when deciding how we want to use the program. So if MAXON is truly listening, then let your voice be heard over the next year. Dave
  15. 6 points
    Hello, you all! ... Noises are not easy to understand at first sight. Al least, no for me. I needed to train that. I've done hundreds of exercices and now I think I can speak maybe a little of this noisy language, voices of an infinite world. After some work, nothing was the same, again. Noises are 3D artists best friends for modeling, for texture, for animating, for every level, even for pleasure - I can watch them for hours. I've learned for free and for hours, for years, in this chair. Watching videos in youtube, in cineversity, in vimeo. Now I want to share my workbook with you all. More than 600 pages - I could not believe it!! - with CINEMA 4D renderings, about possibilities, about learning how to see, to understand all of them. ... Just follow this link that will redirect you to a simple site I've done in sites. The file is on Google Drive, no email required. ... Hope you like it! ... If so, please let me know. Thanks a lot. ... João Marco
  16. 6 points
    what's up guys, jeeze feels like forever since i uploaded a wip project, life gets in the way some times but this is what ive been working on today, found an old helmet i started a few years back and decided to start over and develop it from there, more to come soon :D
  17. 6 points
    Hey folks, some good news here :) Unreal Engine Now Supports Maxon’s Cinema 4D More about that here!
  18. 6 points
    MAXONians just won an Oscar Award folks and we have a XMas party today to celebrate! https://www.oscars.org/news/9-scientific-and-technical-achievements-be-honored-academy-awards?fbclid=IwAR38kPbaP4BJiuW-853jcZpp53L4vIbpnscuuY_v79OMGhiXQ57eIbF6ACU
  19. 6 points
    I like to re-create crazy things I see online in C4D eg this prime number gear puzzle looney gears.c4d here's a more conventional epicyclic gear model epicyclic.c4d
  20. 6 points
    Hi, I've stopped designing since 2009 and now i come back after 8 years of being away and I am really blown away by the changes/progress! I feel too lazy to do anything even though i purchased a new machine / AMD tr 1950x / 32Gb ram .... so i don't understand how to motivate myself :( well, maybe i must share some of my work even if it incomplete , I will update the topic if I make any progress or any test . sorry for my english Here some of my tests i did on last week, i spend most of my time trying to recover my skills Zbrush & C4D / physical render C4D - vray short animation with no story C4d - physical render
  21. 6 points
    Hi folks Here are some news which may be interesting to you: I would like to announce that first incarnation of new C4D Cafe training line is done. In few days we plan to release "Introduction to R19 Fracturing". As a way of saying thank you to our former TD Master section subscribers (which is now available as standalone training in the store) we will offer a permanent discount on new training line. Fracturing training is the first in line and with R20 release you can expect massive increase in training content. New tutorials will be download only and available via Cafe store. Additionally, we will also offer an ability to purchase in cryptocurrencies but that will not be an automated process, so for that option please contact us. Prior to R20 release we will undergo a big logistics upgrade and increase bandwidth and storage capacities, so there is a possibility of downtime during August (most likely). We will ensure that you have nice and smooth Cafe experience as usual Cheers
  22. 5 points
  23. 5 points
    Can finally show some work I did for the Walking Dead Season 9 last year. This was a pretty dreamy project. The props department needed a sword designed for the Jesus Monroe character. They gave me basic dimensions that they had tested out with the actor and some research from the comic and previous action figures and then I was let loose from there. I designed three different options - this is the one they ultimately went with. Stitching, seams, etc in the renders could be better overall, but the whole thing went together in just two days.
  24. 5 points
    Been a while since I did one of these - Modelling & sculpting a mix of Cinema 4D & ZBrush, render in Octane, plants from Forester.
  25. 5 points
    I do see relationships in how the core is being implemented. For example, with OpenVDB implementation and the complete lack of any improvements to C4D's native particle system, I would not be surprised that a fluid simulation capability is somewhere on the roadmap with a new particle system capable of supporting it. But all that WON'T happen until the core is turned lose and C4D can handle massive quantities of objects. But fields had to come first....and just imagine what would be possible with fluid simulation being governed by fields. I would say it would give Realflow's daemons a run for their money. Unfortunately, August 20XX is such a long way away....so please MAXON, give us some insights!!! Dave
  26. 5 points
    It's really up to MAXON to give the paying customers something to be happy about and address long term issues. Until then there's going to be negativity. Sadly I predict, many won't be happy with R19. R20 could be a different story and I'll be the first to sing their praises if they deliver big time. Yeah no need for personal attacks and offensive posts and the new owners are more tolerant than I would be. I've been highly critical of MAXON but I've never resorted to personal attacks (I think). The people at MAXON are nice people trying to do good things for their customers and their heart is in the right place.
  27. 4 points
    I have been coming to the Cafe for a very long time and it has always been a great place to learn and ask questions. the people here are the best, a great group.
  28. 4 points
    Here are some answers I got from EU MAXON that may clarify some things for long-term users: you have several options: You could extend your current MSA for another year (from September 2019 – August 2020). In this case you would get a permanent license of R21 in the beginning of September. Then you can decide to stay with the permanent license or to switch to subscription. As long as your MSA is valid we have a special offer for two years – you can switch to subscription for 959,81 Euro net (this price is the two year price) and we also check the remaining months of your MSA and credit this amount. Please note that with the change to subscription the permanent license of your R12 will no longer be valid You can start with subscription in September. If you order the subscription in September we can offer you the same like above You can start with subscription in October or later – in this case we can offer you a price of 479,90 Euro for the first year. In the second year you would have to pay 599,88 Euro net You can upgrade to R21 perpetual for 850 Euro net Cineversity is part of the subscription. If you want to add Redshift then you additionally have to pay 240 Euro net per year (so it seems that the amount you have to pay at the moment is a bit cheaper). If you have further questions don’t hesitate to contact us
  29. 4 points
    Here's some C4D Python for noobs - random lottery generator spins the numbers, then sorts + holds lottery.c4d I use this speed control a lot for my gear projects etc arrow.c4d a bit more complex - this wheel on a chessboard rebounds at the edges, keyboard ctrl + alt steers L-R wheel.c4d math for wheel available on request
  30. 4 points
    Don’t we all love the guy who pops out of nowhere to ask a question and then doesn’t even take the time or courtesy to reply back after he’s received a thoughtful answer. I say some sort of acknowledgment or maybe even a ‘thank you’ is required operating procedure for anyone seeking help. People providing help are getting nothing out of it 98% of the time. At least honor a fellow human’s generosity for helping you. I think we sometimes are morally obliged to *not* help certain people. We owe it to ourselves to not be abused by the laziness, greed and opportunism of others.
  31. 4 points
    Hi guys. After seeing Redshift was on sale I thought id give it a go with the demo. I picked my last render to compare it with so used the same scene. It took me a good while to translate things which its still 100% but I think it makes a comparable render to Vray Alsurface. Vray Alsurface took 5hours, Redshift took 2hr 3min. Same multi pass setup and basic post. Cpu 5930k 6core "4.3ghz GPU GTX 780 g6b Dan
  32. 4 points
    Happy New Year from India! NYE_1.mp4
  33. 4 points
    I'm not sure how the OP did this, but you can do the first effect(not the zipper lips) pretty easily with XPresso. All I have in this scene is some joints. One for the head(to bind everything else too), one for the jaw, and one for the upper lip. The key is that the upper lip is under a null at the same pivot as the jaw(so when it rotates with the jaw it doesn't create a gap). Then it's just a bit of XPresso really. I find the value I where I want it to follow the jaw, and plug it in with a range mapper. I clamp one end so when I rotate the jaw open the upper lip does nothing, but I leave the other direction unclamped so it will follow with the jaw. mouthFile.c4d
  34. 4 points
    I am working on a new project and want to share my progress here. As I attend a new job where I will work more with Cinema 4D I want to practice a bit with lighting and rendering and for that I need a great scene. It will also later be exported to a game engine, most likely Unity. The scene is the lobby interior of The Grand Budapest Hotel which I stumbled across just recently but which instantly became one of my favorite movies. Original: I want it to be quite accurate so I collected many screenshots from the movie and making-of clips. Some of them I projected with a camera using Cinemas Camera Calibration tool which is just magic. It was blessing to see numerous camera projections fit in nicely with previously created geometry. In addition I use a blueprint used by the set designers. So here is the current Blockout: Using a fairly accurate camera projection is great as it allows you to model rough shapes quickly at correct position and size. Of course the projection is only a guide, it won't be part of the final result.
  35. 4 points
    Although you can play a very similar game with actual drink, here the drinks are soft and the modelling less so. IQP challenge 2 is to model this drinks bottle. That is to say the bottle, the lid, and the grid thing inside it. Here's your reference, superbly held up by GI Vector himself ! The Rules This is a 4 week challenge, closing Oct 30th 2017. Main focus is again, all quads, superior edge flow, and polygon efficiency This is the WiP thread, so please post your rendered images only here; finals thread will be up soon, which is where to put your wireframes for final submission. We're not saying you have to, but we will be impressed by people who choose to model in the text. The winner will receive 8 Elite challenge league points, with 2nd place receiving 5, and 3rd receiving 3. Good luck, and may your polygons be exceptional. Imperial Archon Cerbera, IQP
  36. 4 points
    Managed to get this done! No-frills render and wires attached.. Good luck all! Link to high res version of the wireframe sheet as upload seems to scale it down - http://www.intothescreen.co.uk/wp-content/uploads/2017/09/FlyHook_Wires.jpg
  37. 4 points
    Thanks for sharing my patreon page ♥ C4D is insanely amazing, isn't it? :)
  38. 4 points
    folks, Class 4 is in works and will be available this week, probably already tomorrow :)
  39. 3 points
    Wow....so even if I decide to buy a perpetual R21 license, that license is ONLY perpetual if I continually upgrade via new perpetual licenses. Once I switch to subscription, my perpetual license fails to activate. That is just wrong. Also, I think someone said that the cost of the R21 perpetual license was 850 euro which is 15% more than the annual subscription price. So my fears are realized: there is a strong push to perpetual and R20 is the last truly permanent license you can own whose activation can never be tampered with by MAXON as it does not use their server activation routine (Note: Should MAXON ever push out a "bug-fix" for R20 in the future....be careful as that could also include the requirement for server activation). Sorry MAXON folks. No matter what you want to tell yourself so you can sleep at night, if you can turn off my perpetual license for whatever reason, you have become Adobe. It is as simple as that. Dave
  40. 3 points
    I would like to see a series of best practice workflow guides on modelling small objects, with attention paid to solving ngons. I still get stuck on the simplest of flows and I never know where I should be solving things, or the best place to start modelling. It would be great to have a series of videos where you model each of the small parts of something, like a robot arm or something like that, and then since you have perfect workflow, people watching the videos will pick things up that are not the 'purpose' of the video, just little workflow tips and solutions to modelling problems. For instance this arm - I can think of a couple of ways of making the claw, but which one is best and wont have me solving ngon lines for four hours in the middle of the night? Do I Boole them out and then try and fix them? Do I start with three circle polygons and connect them? That base object, should I just intersect some different objects and hope for the best or is there a way of using SDS for this? Should I use the volume builder? I know this is above and beyond the scope of the topic, but if you dont ask you dont get! Also, the videos needn't be the high polish of the VP days, I think I would learn a lot from just a screen recording of an expert user making such objects, even with any mistakes left in. Thanks
  41. 3 points
    KVB is correct in the setup. However, you have turned off 'Seen by Reflection' on the Floor.1 object in your image. It is the Floor.1 that is making the shadows on the rocket lighter because it is bouncing the sky light back up at the rocket.
  42. 3 points
    Came here to say that, but Fastbee lived up to his name and got there first :) You'd think a Cerbera would be faster than even the fastest bee wouldn't you, but not today ! ;) CBR
  43. 3 points
    There is a lot of nodes and possibilities are endless. Check out the node pool :)
  44. 3 points
    Hey Everyone, In my quest for controversy ;) I wanted to do another piece in my "Alternate Universe" series with IG-88. All modeling done in C4D (besides the 2 pieces against the wall at the bottom...bash kit). Shaders in Substance Painter and final comp/post in Photoshop. Cheers, Andy
  45. 3 points
    Wooh i made a character animation reel! it's not quite pixar yet, but small steps :)) Gonna get there :))
  46. 3 points
    Hey Cerbera, thank you for taking time to think about it, I just found the solution in the help documentation. It's as easy as making all objects children of the instanced object, and choosing "Random" in the hierarchy drop-down.
  47. 3 points
    Finally able to share a project I recently finished for Trident Gum’s latest ad campaign in Puerto Rico. The project consisted of a main 15-second animation to be aired in television and digital platform, plus a handful of individual loops to be used in social media stories, etc. Storyboarding and concept were done by McCann Worldgroup’s San Juan team, as well as all the final narration and audio. I was in charge of all animation, etc. All done in Cinema 4D and using a bit of X-Particles here and there. Rendered with Redshift.
  48. 3 points
    I found this tutorial very useful today and thought others might benefit from knowing about this method for using the Substance C4D plugin (Pipeline>Substance Engine>Load Substance...) with Redshift all within Cinema 4D. The Substance textures remain procedural and allow changing the assets using the Substance Shader.
  49. 3 points
    Great to see interest! folks, I already devised some scenes and collected some ideas on what to do. There is a lot of material and I will try to target stuff that benefits most of people, not just small group (but will cover that too in future). Plan is to keep videos on shorter side with faster pace since general C4D knowledge is assumed. Expect something in two weeks once return from business trip :) Cheers
  50. 3 points



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