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blastframe last won the day on July 23 2019

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About blastframe

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  1. I haven't seen a consistent direction amongst the 3D applications. In Maya, the characters face +Z and in Blender & 3DS Max it's -Y, all facing their default cameras. I am still curious why Cinema 4D chose to face -Z when +Z, though maybe less important, makes more sense (to me anyway).
  2. Hello, I'm curious if there is any reason that the Character Object's default facing direction is -Z. It seems more logical to me that if an object is moving forward, the values would be positive and backwards, the values would be negative. Perhaps it is because Cinema 4D's Viewport is looking at -Z by default? If so, why is that? Thank you.
  3. Wow, @FLima and @Rectro, those are some very thorough responses. A very sincere thank you!!! Cloth seems much less scary to me now. I'm going to try all that was suggested and find what works best for me in different situations.
  4. Hi! I'm starting to think more about clothing for my character and I could really use some advice from more experienced users. Here are some of the questions I have. Answers to any of these would be greatly appreciated. Thank you! What's a good rule of thumb for when to model the clothing into the character and when to simulate cloth dynamics? In the case of cloth dynamics, are any of you using Marvelous Designer? It's pretty expensive for me at the moment. Can Cinema 4D's Dress-O-Matic & Cloth Dynamics get similar results? In the case of modeling the clothing into the character, how do you typically handle the body geometry? i.e. if the body is covered by clothing do you keep the underlying geometry and weight both the body & clothing or delete the covered geometry? In the case of modeling the clothing into the character, How would you mimic the bunching of the fabric in the elbows and knees? Pose Morphs? Displacement maps? How do you typically handle ornamental geometry like buttons, patches, badges? So far I have tried Skin Deformers (copying the weights tags with VAMP), the Surface Deformer, and Constraints. I would like to hear others' approaches to this.
  5. I am experiencing lag when sculpting in S22 and not R21: post.
  6. Hello, I'm experiencing a 0.5 second delay with every brush stroke when sculpting in Cinema 4D S22 that makes it very difficult. Here is a screen capture of my experience which is a Sphere primitive (type: Hexahedron) with 900 segments made editable (540K polygons): At the time of this message, I have the latest C4D build, S22.016, and the latest driver for my GPUs. This is happening with my regular USB mouse and my Wacom Cintiq. I have attached screenshots of my Input Devices, Viewport Hardware, and Viewport Display Preferences. I also tested this with Cinema 4D R21 and did not experience these issues: Thank you. System Info: OS Name: Microsoft Windows 10 Pro Version: 10.0.18362 Build 18362 HD Model: Samsung SSD 850 PRO 1TB Processor: Intel(R) Xeon(R) CPU E5-2680 0 @ 2.70GHz, 2701 Mhz, 8 Core(s), 16 Logical Processor(s) Installed Physical Memory (RAM): 64.0 GB GPU: NVIDIA GeForce GTX TITAN Black
  7. @DMcGavran Hi Dave, I thought this year showed a lot of potential. First, it was so cool being able to use the new Cinema 4D features you announced right away. That was much better than having to wait several months. It would allow future presenters to do a live/more interactive tutorial with new features if they wanted. Second, there wasn't the loud noise from other booths bleeding into the MAXON booth which made it better as a viewer (a few presenters did have some distracting background audio though). Third, I thought it was generally better for the presenters to prerecord their presentations because having to share a machine & setup with other presenters often leads to technical issues with differing operating systems, renderers, and keyboard shortcuts. A couple of considerations: I felt the chat wasn't a great tool for sorting the questions for presenters. The questions got lost in the shuffle and were sometimes unclear. My advice would be to have a live question poll system that the audience can upvote rather than YouTube chat. Here are some examples of those tools: Slido, PollEverywhere Also, the networking aspect of the live presentations is HUGE. Artists getting to meet MAXON and each other was my favorite part of these events. It makes this C4D world feel smaller. Maybe you could bring the artists to these events for live Q&A and to meet new people but prerecord their presentations and make it interactive with the Internet like this year? Or you could do new online events with the model used for this year's NAB outside of SIGGRAPH & NAB and change the in-person events' model? Because of their length and technicality, I don't think the presentations grab many new users at these live events. I think they more inspire existing users and help them as a tutorial archive later for Cineversity. Who is going to come into a dense tutorial halfway and understand what is going on? It seems like Q&As, short quick tips, and motion reels would be better for live events for users who aren't familiar with C4D/Red Giant/Redshift - those are much more exciting, inviting, casual, and less daunting to a new user who happens upon the MAXON booth.
  8. Hi @bezo, Thank you for the message and that's a cool look, but as mentioned in my original post, I'm not looking for cases with texture projections. I want them to be one solid color based on the object's texture. Thanks!
  9. @deckThank you very much for this! I think I didn't explain my intention clearly enough: I'm using the sphere as an example, but I want this to work with any object - particularly more complex models like characters and vehicles. I am seeking a dynamic solution that looks at the object's material (or vertex) color at the surface points. The material will not be striped as in the demo either, this was also an effort I made to make it simple. Thanks again for the effort.
  10. Hello, I am cloning many planes to the surface of an object. I would like the clones' colors to somehow sample the color of the surface point on which they sit. With the example I'm using I know it would be easy to use Spherical Projection on the Cloner. I'm not looking for a texture projection, but rather one color. Would this be possible with an Effector, XPresso, or a script perhaps? Here is my scene file: CloneSurface_Texture.c4d Thank you!
  11. The UV improvements are SO GOOD! Thank you, MAXON!
  12. Hi @DMcGavran, the Feature Suggestion form is still down unfortunately. It would be even better to have a way to share ideas with MAXON and the community for Cinema 4D features.
  13. @bezo Hi Bezo, thank you for the reply (nice sketch by the way ) I was hoping I could leave it off, but if that is the only way to get Polygon Snapping to work correctly, then I will turn it off. Thank you.
  14. Thank you for the reply. I didn't drag off the edge of the surface. It was drawn onto the surface and should have stuck to it. I have uploaded my scene file and it's kind of you to offer to have a look. It seems like the scripts I'm using for retopology ( HB Modelling Bundle 2.3) turns on Backface Culling which is causing the Polygon Snap to get confused with not just the Sketch tool but also the Polygon Pen. Polygon Snap.c4d
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