Jump to content


  • Content Count

  • Joined

  • Last visited

  • Days Won


esmall last won the day on February 24 2017

esmall had the most liked content!

Community Reputation

36 Noble Beginner

Contact Methods

  • Website URL
  • Skype

Profile Information

  • First Name
  • Last Name
  • C4D Ver
    R20.026 Studio
  • Location
    Georgia, United States
  • Interests
    Mountain Biking and 3d Animation

Recent Profile Visitors

1,366 profile views
  1. try using 3D - Spherical gradient. This uses as a spherical gradient in world space. You can set the world space in the corresponding Start coordinates. Alternatively, you could try using a Proximal inside of a Distort Shader.
  2. esmall

    Edit multiple nodes / Access all SDS

    isntead of xpresso, try just using a Selection Object. Select all of your SDS objects, then go to Select > Selection Filter > Create Selection Object. This creates a null object w an Object tab. The tab has a list of all your SDS objects that were selected at the time of creation, and a button for "Restore Selection." You can press the button to get all your object selected, then in the Basic tab, check/uncheck Enable. Alternatively, clicking the closed eyeball in the upper right of the obj mgr will open a window that lets you select objects, tags, layers, etc. Here you could right click the SDS object, and choose Select All, and perform the same enable/disable function as in the previous paragraph. Eric
  3. esmall

    Reeded glass

    I'd try using a linear cloner of cubes touching edge to edge and apply a transparent material with refraction. Then I'd fiddle with the Fillet radius of the cube, and the refraction value of the material. see attached (the camera mapped image of an apple is NOT mine, it is used for reference, and was located using google image search). hope this helps. reededGlass.c4d
  4. esmall

    Surface deformer

    The surface deformer calculates based on the object's UV layout. Your object's UV's are not properly laid out. To get the MoText to project, you'll have to either current state to object (to polygonal object), or do each letter separate. Since MoText is procedural, it does not have UVs. Because of this, I believe each letter is assigned the same UV space, so it will project, but all the letters are stack on top of each other. Looks like you are using 17. I saved this in 19. In case you can't open, I took a screen shot of the UVs and a screen shot of the viewport. Hope this helps project_test_UVs.c4d
  5. the potential issue with doing that is if your cube's position is animated, the cube's axis will still remain animated in that location, but the actual cube's location may differ. See attached: the axis of both cubes are animated in the same location, but the cube's are in different places. axisLocation.c4d
  6. It's hard to tell without a test file, or knowing what you're animating (figure? object? complicated? simple?), but most likely, no. Animated properties such as Position, Scale, or Rotation (PSR) is oriented on the object's axis. Changing the axis would result in altering the animation. One possible solution would be to create a null object, and set a keyframe in all PSR properties you have animated. In the timeline, copy the keyframes from the original object, and paste them to the null object (this copy/paste is done in the timeline's Edit menu). Now delete the keyframes from the original object, put the original object as a child of the null that just received the pasted keyframes. From there, you'll have the ability to adjust the original object's axis, tweak its position, etc. See the attached c4d file. animationTransferred.c4d
  7. esmall

    11 identical objects in a half-circle

    It's hard to tell without a scene file, or seeing an image of what you're trying to model (it looks like a flange? Or cap of sorts?) But looking at your axis, it appears that your cloner is not in the center, or hub, from where you want the cloned objects evenly spaced. Try using a Radial Cloner centered at the middle of the circle (see screenshot with blue arrow), and adjust the start/end angle of the radial cloner.
  8. esmall

    Depth of Field problem

    Echoing Ninjad's assessment of Lens Blur, it is a hotmess. If you really need it, go ahead and use it. Another downfall of it, it is a single core effect. This means your entire comp will only render w 1 core of your computer, regardless of how many cores you have. Even if this effect is applied to 10 frames of a 1000 frame render, all 1000 frame will only render w 1 core. If you can spare the extra money, invest in Frischluft's Lenscare plugin. It does a GREAT job of applying DoF. This plugin does a very convincing job of blurring edges of high contrast/large distance objects. But yes, to get truly accurate blurring, you'd need to apply it in 3d at render time. Unfortunately, this limits the flexibility in post. There's always a tradeoff.
  9. if you have it rigged to your liking, you'll want to select all rig components and any mesh you want to make symmetrical, and go to Character > Mirror. You'll prob need to fiddle w the settings and/or watch some tuts on how to properly use this tool, but this is what you want. A symmetry object will duplicate what you have on the other side, so you won't be able to animate each side independently. Mirror function in the Character menu will duplicate the actual object(s), tag(s), weighting, etc.
  10. esmall

    Depth of Field problem

    hmm, not sure what's up on your end, but I got it to work with the 2 images you provided. See my comp and screen shot of effect settings, see if something looks different to you.
  11. Alternative to the Tracer (a mighty fine suggestion) an interesting but little known function in the timeline might help you (if your object is freely keyframed in space): Select your object in the Dope Sheet (not position track), go to Functions (in timeline menu), and select the command Position Track to Spline. This will do what its name suggests and make a spline based on the object origin's movement through space. This would leave you to hand animate (or setup some xpresso) to animate the end/start growth of the sweep nurb. but hey, at least it'd give you an exact spline based on the object's path through space!
  12. thanks for the confirmation. I emailed them on Mar 3 regarding the issue, sent files/screenshots, etc. And I just followed up this morning. I figure if I continually follow up with MAXON, 1 of the following 2 sayings will become relevant: - the squeaky wheel gets the grease - the tallest blade of grass gets clipped first I hope for the former!!
  13. Has anyone experienced this issue and/or found a solution? In R19, when using any form of multipass, I end up with additional RGB and Alpha passes. I render as PNG with a straight alpha, therefore I do not need either of these passes. If rendering a "Regular Image" only, these passes are not generated. If rendering any additional multipasses, these passes are created, despite not being added as passes. See attached screenshots: The picture viewer is showing the appropriate passes: Background, Alpha (this is always shown in pic viewer, but never saved as an actual file w PNG images), Object Buffers 1 & 2, and Depth. In the finder, you can see the actual images generated: Background/beauty image, obj buff 1/2, depth, but also there are the unwanted rgb and alpha images. Am I missing a setting somewhere to disable this pass generation? Or is this a bug? This issue is plaguing my entire studio, so it's not just me. And I have seen posts on other forums asking about solutions. I've attached a c4d file that demonstrates this. Thanks in advance. extraPasses.c4d
  14. esmall

    Rotate selected objects in Cloner

    I would use a Shader effector, then a material that uses a MoGraph Color Shader. In the attached file, I made a separate material and used the color shader in the alpha, so I could control colors in separate materials. But you could just as easily use a single material by defining the base cube color in the cloner itself, and the changing color in the Shader effector's Shading parameter, and put a MoGraph Color Shader in the color channel of the cube's material. The actual change in color is controlled by the width of the Shader falloff. cubeRotateColorChange - mograph.c4d
  15. esmall

    Rotate selected objects in Cloner

    how about a plain effector set to rotation mode? See attached. cubeRotate - mograph.c4d