Fish
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Thanks everyone for your patience and help. Your suggestions addressed some of my issues but not others. For toggling the smoothing with Q I had to delete my shortcut prefs as I had made some changes and assigned q to something else. The solution of putting a null under the subD node and then everything else under the null. I guess that's a workaround. thought not very elegant. I mean all you need is two keys, 1 (not smoothed) 2 (smoothed) What you have selected gets smoothed and what you don't doesn't. It's not just different. it's different because It's simple, smart, elegant & efficient. Very different/ As for using spacebar to exit extrusion (or any tool) so it doesn't automatically repeat: its not a practical solution as it changes the attribute manager essentially locking me out of making any changes forever. Apparently I get one chance to execute the tool and after that I have to manually punch in values. And if you accidentally touch a keyboard key you're locked out. It's a completely illogical and ill thought out workflow especially since there's no construction history. I mean if you're not going to have a history stack then it might make sense to make finalization of a tool something very intentional instead automatic. Again not very smart. On a positive note I like their decision to make position and scale xyz to represent 3d space but rotation to represent aeroplane controls. That was smart. The should have made the scale controls HWD for height, width & depth. That way each transform control could have it's own "innovative" terms. XYZ for position. HWD for scale & HPB for roation. Not sure why they didn't do it that way. I also like that by default I have to execute 3 separate operation in order to get a vert (point) to snap to the grid.....and then another three to get them not to. Brilliant. Maya stupidly made it so you just hold the X key when you want to snap...release when your done. Soooo unintuitive. You have to move your index finger all the way from the Alt key to the X key. No wonder Maya is the hardest app to learn. :) Sorry for having infected your forums with whatever this is. Out of curiosity I checked to see what "X" does in C4d. Among other things it deletes your selection. That's smart. The key that deletes stuff is 3mms away from the key you rest your index finger over & press 50 times a minute. Very logical.
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The interface/UI isn't the problem. Personally I find the UI's very similar. Sure things have a different names and they're in different places but that can be overcome quickly. I'm talking about workflow. An offhand example say I want symmetry. In Maya I select my mesh in the viewport, shift right click and choose symmetry. Maya is smart enough to know I want symmetry on the selected object. It's still doing the same thing C4d does. It's creating the node and connecting it to the mesh but it does it for me. If I want i can go into the nodes and do much than C4d can do but more often than not I just want symmetry on the selected object...so Maya does it, asks me which plane to cross and I'm good to go. When I'm done with symmetry I shift right click again and turn it off. No need to drop the mesh out of the node then delete the node then re select the mesh . Same thing with smooth preview. Smooth preview is something that gets turned on and off a million times when your modeling. In C4d you have to create a node and drop the Mesh in. Maya is smart enough to know that the object you have selected is the one you want smoothed. To turn it on or off I just hit the 1 or 2 on the keyboard. In C4d I have to create a node, I have to go to the object manager, drop the mesh into it and then click a tiny little radial button every time I want it on or off. And BTW after I turn it on or off I now have to reselect what I was working on. There's tons of other examples. Also once you learn to use mayas marking menus you can pretty much turn the entire UI off. And access every aspect of via marking menues that function off of 3 hotkey combination that give different options depending what you have selected. I could teach you to use it it one hour. Then there's the fact that there's no construction history which is a deal breaker for any serious modeler. I know there's the whole "your first is the one you love" but seriously that's not the case here. Maya is layed out in a more efficient and logical way and i quite certain I can prove it. Mayas whole pro workflow is based around radial menus. C4d has ONE and the things they chose to put in it are ridiculous. Open project? Initialize plugin? A radial menu should have the tools you use most...for the amount of times you open a second project during a work session it makes sense to have to go up to the proper menu to do that. You don;t put that function right at your fingertips and then put the important stuff under bizzarre shorcuts that that all start with U or W. U or W? Who's idea was that? I either have to mave my left hand to the other side of the keyboard or I have to take my left hand off of mouse. Sure I can customize all that but the fact that it's set up that way by default speaks to the design flaws inherit. In maya EVERYTHING is done through a brilliantly logical system using combinations of SHIFT, CTRL, SPACEBAR & Right Click...of course ALT Left Click is navigation so the entire interface is literally right at your fingertips. There's no having to learn 50 differrent two letter combinations that you have mover your entire arm to reach. Maya's interface is WAY more intuitive, intelligent and faster. Maya knows the difference between a key tap and a key hold...another reason why the entire tool set is put under your left hand without ever (hardly) having to move it from the position you navigate from. Basically my experience so far with C4d after watching about 30 or 40 hours of Lynda training through my works group account is that it takes 2 or 3 or even more steps to do what Maya does in one. Maya can be harder to learn because it goes much much deeper than C4D. If you want to get into connecting up nodes in custom ways and deep into the Attribute manager then yah...it goes way deeper than C4D. If all your doing is basic modeling...extruding, inseting, sliding, offsetting, beveling, pushing, pulling, etc...than May slaughters C4D in workflow speed and efficiency. Not to mention it's modeling toolset is unmatched. Sure theres an occasional crash but that still 100x faster than dropping stuff in and out of nodes & nulls all the time. You spend half your time renaming generators & effectors so your Object Manager doesn;t turn into a nightmare. Nobody, in my opinion or that I know, would leave Maya for C4d for any reason other than the price. I'm trying because of the price and because I use the mograph module which is better than Maya's. I figured if can get on board with the modeling module of C4d then I don't need two applications. I'm not sure what your experience is working with other applications which is why I asked in what way you thought C4D was the most intuitive and innovative. I was hoping for some reasons other than you being comfortable with the UI. I was hoping for some real reasons to stick with it. The only reason I can think of sticking with modeling in in C4D would be to stick another feather in my cap, so to speak. Looks good on a resume, you know. But honestly....I'm the kind of guy that if I had an interview with a studio and they told me they use C4D in their modeling department? i don;t know if i would want to work for them. lol. Yah...it has nothing to with the UI.
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Hey, thanks. Yah my Maya subscription has about 6 months left on it. I figured that would be enough time to get comfortable with something new. When that ends I might go back to to maya 2013. I mean honestly. There's a reason Maya is still the Industry standard and I can tell you that reason ain't cognitive bias ; )
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In what way?
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First thanks. That's all really bery helpfull. As well as post to some other dude about how to grab code from the script log. Good stuff there, As for your NOT dumb question: I make my living with After Effects doing motion design and graphics & there's powerful integrations between the two application. Also C4D has very strong & stable MoGraph tools. Maya does too, now, with the MASH module but MASH is not as stable as C4D. Also Maya no longer has perpetual licensing. I think what I'm going to do is I am going to muscle through the model I'm currently working on in C4D but after that I will revert back to My old (owned) copy of Maya 2013 for everything except mograph. Heck...maybe I'll even take running jump at Blender. I hear good things about it and it's only zero dollars a month :)
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OK. No rant just a practical question related to previous rant. I just split some faces off of a mesh, extruded them down but forgot to cap the back end of it. Now I can't find a way to re-access that extrude to add the cap. There is no way to do this? What I wound up doing was "fill poly hole", then I had to solo it and use the line cut tool to put back in all the topology. Please forgive my impatience,,,It's like I'm suddenly trying work left handed & blind. :(
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Hi, (maybe you should just skip to the final sentence) I'm sorry I'm getting really frustrated this software. I have a bunch of questions. 1) I thought I'd be clever and drop 4 meshes into one SubD node because my object manager is getting filled with Subdivision nodes, but it only recognizes the top mesh. Is this really the modeling workflow for C4D? If I have a model with 100 meshes I have to have 100 subD nodes cluttering up the object manager? There's no global smooth preview? 2) Also is there a shortcut to drop meshes out of their hierarchy? Like in maya it's shift+p (un-parent) ? It's really distracting always having to go the object manger to drag things in and out of each other. 3) Is there a setting to stop tools from repeating themselves when I let go of the mouse button? For example I do an extrude and then if I accidentally click again in the viewport it does a second extrude? I would much prefer to have a hotkey to repeat last tool. Or have the tools be intelligent enough to know which one Should auto repeat (like insert edge loops) and which onses shouldn;t (like extrude). If I extrude and then drag immediatly drag a second time it should continue to tweak the current extrude, not start a new one. I f I don't get it right the first time I have to go into the attribute manager and start doing it there? OK, now I'm just compaining. SOrry. Which brings me to this....Is there a history stack? Where i can go back to tool actions and adjust them after later? Or I could go and find that accidental extrude and delete it? Finally...and I don't mean to sound petulant or anything...but in Maya I can work endlessly without ever taking my left hand away from the SHIFT CTRL ALT SPACEBAR keys and without ever moving my mouse away from the model. In C4d I spend more time out of the display viewport than I do in it. Even the shortcuts..."U"? It's all the way on the other side of the keyboard? Ultimately I would like to be able to model with only the viewport visible...in maya it's called "pro mode" Every function is available with combinations of the SHIFT CTRL ALT SPACEBAR & RIGHT Click. I (pretty much) never have to move left hand . So does anyone know of a pro-mode or workflow tutorial WHere I'm not constantly having to clcik through menus or UI buttons tutorial . Please someone explain to me why I should work this way? Has anyone here had significant experience in Maya? How did you adjust to these disruptive workflows? Two button shortcuts? UB & UL? For such commonly used functions? Meanwhile the ability to jump back and forth between different project they put in the radial menu? How often do you use that? Then MT for extrude, which get's used constantly I have to move my hand all the way to the other side of the leyboard?@@ Grrrr. WHat the heck!! Who made these decisions? !! END//////////////////////// OK...I'm sorry, and obviously frustrated. Just for now can someone please tell me how to get all of these Subdivision nodes OUT of my object manager? Please?
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Cool. I'm gonna look at how to set those up. Thanks
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You could just use the 'loop/path cut' tool to keep adding in one loop at a time next to the edges you want to tighten up, but if you want perfect symmetry the best method I know is to use the' loop/path cut tool' and then the 'bevel tool'. You can start with the loop/path cut tool to add a loop (hold shift to snap to 50%). Once you've added the loop hit U~L to switch to loop selection mode, select it and use the bevel tool to split the loop into two and drag the two new loopes out toward the other respective edges. There may be a better way. I'm pretty new to C4D myself
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Hello Again, My learning is coming along nicely interrupt by waves of "C4D is different than Maya, go back to Maya. Screw This". But I keep coming back to it and liking it more and more as come to understand it. Here's my new question: Fooling around with rigid body dynamics I realized the the Rigid Body tag and the Collision tag are the same tag. One with dynamics turned on and the other with dynamics turned off. I investigated and found that in fact all of the simulation tags are essentially the same tag with different default settings. 'Presets', if you will. So now I'm wondering if this is the case with all tag "categories"? When I hover an item in the tag menu & the sub menu flyout pops up with all the 'tags' in that category, are they also all the same tag with different default settings like the sim tags are? I admit I could do tests to find this out but it would take a little longer than this post. I think understanding more of what's going "under the hood" will help me get past the superficial differences and see the similarities. Thanks, Paul
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Great. That's exactly what I was looking for. Thanks.
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It does seem to not be the best for modeling, huh? I'm trying to keep an open mind like "I'm just not used to it yet" and "we all think our first 3D app is the most intuitive" but certain things just seem complicated in C4D. I just had to mirror some geometry twice and there were quite few steps involved until I had a clean, welded, editable mesh that wasn't under a null. I bought ZBrush a couple of years ago. I should really start using it. :)
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Hi Dan, I started using Maya around 2008. The switch to C4d (or the decision to try it) is based on a few things. First my day to day work has fleshed out in motion graphics and design which C4D is stronger at than Maya and it's powerful integration with After Effects. Also Maya no longer provides perpetual licencing & the final nail in the coffin was their latest decision to omit any production quality fully functioning render engine. To be honest I love Maya & I don;t want to abandon it. I don't want to get into a "which is better" thing here but I'll just say I'm not leaving Maya happily. I'm leaving her bitter and upset that I have to leave. :)
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OK Here's what I mean:
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Hi, So I'm seeking the equivalent to important tools I used in Maya in C4D. I'm slowly making a conversion chart but I'm stuck on a tool I need/want very much at the moment. In Maya, when using the move tool I could switch to "Along Normals Mode" (or something like that) where I could essentially "slide verts" along a model's surface, tweaking the topology while respecting the overall curvature of the mesh. Maybe you have to be or have been a Maya user to understand what I mean? Anyway, is there an equivalent tool or workflow for C4D? Thanks, Fish
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BLOGS / NEWS & SPECIAL ANNOUNCEMENTS
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The post R21-announcement depression
C4DS,
454 views 6 comments
Well OK, the title of this blog entry might be way over the line, somewhat too dramatic, but still ... Background: As a hobby user since R9 I was quite happy with the XL bundle, back in those days. When the modules were retracted my only option was to go with the Studio version, and since then paid the annual MSA to stay up to date. Some years ago, while working on a personal project in Cinema 4D for quite a while, I got side-tracked and started writing some plugins to automate and enhance why own workflow. This side-tracking grew somewhat out of proportions, as I began spending most of my free time working on plugins, instead of creating models and animations. I then took the opportunity to start up a small business selling these plugins. Obviously I wasn't looking into making a lot of money out of it, but was merely hoping the income from selling plugins would allow to pay for the annual MSA. The 30 July announcement was a bitter pill to swallow. For whatever reason I was raised with the idea that, when ever possible, you don't buy on credit, you don't rent. If you want something you cannot afford, you save up for it ... or you just don't buy it, until you can afford it. I have turned down software subscriptions before., for this same reason. And then this announcement ... For sure, I wasn't losing sleep over it. Or did I? Day after day my mind kept wandering, traveling the different paths of possible solutions. I didn't think straight and most of all, felt (and was) unproductive. Then finally, I made up my mind. For me personally no subscription, nor the "perpetual" (gimme a break) R21 license. Decided to keep using my R20 license, not upgrade to R21. By not having an R21 license it wouldn't make sense to keep providing plugins. As such I am stepping down as a plugin developer. Since software development is another hobby of mine, I know upfront that it will definitely itch. As such, I will probably (need to) keep writing plugins. But probably for my own.
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MAXON Announcement + Live Chat
Beefdoctor,
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This live stream was an opportunity to watch the MAXON announcement at Siggraph 2019 with my viewers. We also talked about the announcement together via the live chat. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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DIGITAL MEAT: Q3 2019 Livestream
Beefdoctor,
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This Livestream is an update about changes to the website, mailing lists and an opportunity to ask my audience about the direction of some of the changes I’m planning to make. I’m also asking my users for feedback in regards to funding regarding Patreon. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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RF For C4D: Blending Fluids With Vertex
Beefdoctor,
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In this RealFlow for Cinema 4D, tutorial we take a look at using Vertex Maps to Blend Fluid colours. We Use these Vertex weights in the Vertex Map Shader and also use a work around to get the desired result. If you would like to support Digital Meat, or follow me on social media, see the below links. Website: Digitalmeat.uk Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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RF For C4D: Blending Fluids With Vertex
Beefdoctor,
102 views 0 comments
In this RealFlow for Cinema 4D, tutorial we take a look at using Vertex Maps to Blend Fluid colours. We Use these Vertex weights in the Vertex Map Shader and also use a work around to get the desired result. If you would like to support Digital Meat, or follow me on social media, see the below links. Website: Digitalmeat.uk Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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How to get jobs as a Freelancer ( 3D artist)
Vozzz,
342 views 4 comments
For those who don’t know, this is how the process of hiring a freelancer goes. What follows is just my meandering experience and observation, your mileage may vary. Pretend you have a project. Lets say you need someone to design a Dinosaur character. First you will think if you know anyone. If you do, you will reach out to them. Then you will ask your friends, or freelancers that work for you if they know anyone. Then you’ll go to art station or some other portfolio site, or maybe straight to google and type in “Dinosaur character designer”, you will reach out to some of the people that you like, ask them their rates, and then if they are all too expensive you will go to fiver or upwork or freelancer.com or whatever other freelancing website exists. Nobody goes straight to a freelancing website, it’s usually a last resort. And it’s a last resort for people with small budgets. Because with the internet the way it is you can always find someone who does whatever it is you need to be done. Try it, try to hire someone who does what you do. I remember when i was just starting out there was this guy at a studio i worked at who kept giving me After effects jobs. I could do them, i had the skills, but it wasn’t really my specialty, i was always a 3D guy. That’s what i did well, thats why i charged more. In after effects i worked slower than most people and really wasn’t that good. But yet this guy just kept giving me after effects jobs. So one day i asked him: “why do you keep giving me these jobs? I’ m sure there is someone who does this better than me, and cheaper” and his answer really changed the way i think about everything, he said “Because i like drinking with you, and if you have more jobs, we can go drink together more”. At first i was like: “awesome”, but then it dawned on me, how many jobs do i miss out on, because someone likes to drink with someone else, or plays golf with them, or has kids go to the same school. It has so much less to do with how good i am at what i do than i thought. To me it was a revelation. So what do I do if I don’t know anyone who would hire me? You get to know them or you get known. My career was largely built on alcoholism. Especially when i was in New York. People all over the place drinking making friends socializing, exchanging business cards inviting each other to other events. And there is no faster way to get to know a person than drinking with them ( if you want a guide on how to properly drink leave a comment, it’s also a skill that takes time to develop). Alternatively go to events that either related to your industry, or if they don’t have them in your area, go to networking events for other industries, you might find clients there. I knew people who bought shares in mining companies ( just whatever the minimal was) and then turned up to share holding meetings and made friends and then got jobs out of that. Don’t like drinking? Get ready to do A LOT of work. Because building relationships with people is a very slow process if there is no alcohol involved, there are exceptional people which can make friends with anyone anywhere with everyone sober, but if you were one of those people you probably wouldn’t need help getting a job. So you have to start making a TONNE of work, and i mean a metric tonne. Start off with just volume, do a daily challenge. Post it on instagram, twitter, facebook, any platform that will let you. You have to get as many eyeballs on your work as possible. And it better be thematic, because people got to remember you for something specific. “oh i know a guy who makes dinosaurs” or “oh that guy who animates cars”. And you got to start posting it like CRAZY. For every 100 things you post, you might get one job out of it. This is not for the faint of heart. Which makes it even more important to pick a topic that you LOVE, because no matter what you pick, there will be people who LOVE doing that specific thing, and you will be competing with those people who will do it better and probably cheaper than you. Then go onto forums/facebook groups and start helping people, start answering questions, start figuring out problems other people are having, giving advice where people ask for it. Join the community. But don’t just post random comments actually participate, this is yet another way for people to get to know you. Also don’t forget to put together a proper website, you want a little piece of the Internet that is completely under you control. Go check out my article about small bussiness. It goes over how to set up a website rather quickly and what parts you need. Your website should convey to the visitor what you are good at and what kind of work you want to do as quickly as possible. Reels shouldn’t be longer than 1 minute, the shorter the better. Put your best work up top. Freelancing websites are really the last resort in most cases, they have the lowest paying clients and the jobs that no one else wants to take on. I know programmers seem to do okay on them. But creative tasks are just terrible. The most important thing to remember, that because this is hard to do, is the reason you will stand out. My favorite quote is “if it was easy everyone would do it”. I hope this was interesting, what should i write next? How to figure out how much to charge? Let me know in the comments and have a good one! The post How to get jobs as a Freelancer ( 3D artist) appeared first on Ace5studios. View the full article
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Cinema 4D: The Aim Constraint
Beefdoctor,
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In this Cinema 4D tutorial video we are going to create an actuator using the Constraint Tag in Aim mode, this will allow us to have two objects pointing at each others pivots. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Cinema 4D: The Aim Constraint
Beefdoctor,
122 views 0 comments
In this Cinema 4D tutorial video we are going to create an actuator using the Constraint Tag in Aim mode, this will allow us to have two objects pointing at each others pivots. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Nvidia GauGAN
Beefdoctor,
120 views 0 comments
GauGAN, named after post-Impressionist painter Paul Gauguin, creates photorealistic images from segmentation maps, which are labeled sketches that depict the layout of a scene. Digitalmeat.uk If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Nvidia GauGAN
Beefdoctor,
153 views 0 comments
GauGAN, named after post-Impressionist painter Paul Gauguin, creates photorealistic images from segmentation maps, which are labeled sketches that depict the layout of a scene. Digitalmeat.uk If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Should i work for free?
Vozzz,
140 views 1 comments
This is a question that comes up a lot, and recently came up on a FUTUR livestream with Gary Vee. As always the answer is: “it depends”. Some people think the answer should be a hard no. Others think it’s not such a bad thing. I think the answer to this is pretty simple. If you want to do free work to get your name out there, pick the client yourself. Offer your services to a charity or any nonprofit organization that you care about. Or even if it’s a for profit organization, do it for them as a gift, but pick the company yourself and make like an homage to them. If someone comes to you and asks for work in exchange for “Exposure” that should definitely be a hard NO! That job is going to be hell, and going to drag on forever, and you are not going to get any exposure for it. So if you do free work, make sure it’s on your terms and you’ve picked something that will give you exposure. Make sure they have a large following on social media, and a large following that’s relevant to your potential clients. If you do character rigging, 13-18 year old fans of knitting won’t really help you. The other option is if you are doing something you have never done before and it’s something you want to figure out. Then perhaps thats a good deal for the both of you. BUT you got to remember the wider picture. If you agree to do free work, that means that company is 100% not going to pay someone to do that work. So you’re potentially either taking money away from your fellow workers, and maybe helping a business that has no business doing what it does ( since it can’t secure funds to pay you for your services). There is also the option if you are working in an intern capacity, where you are not being paid, but you are actually learning valuable skills that you want to get. In these cases, remember you can always leave, don’t let them exploit you. Make sure you are still benefiting from this experience. If you’re just photo copying stuff and getting people coffee, you aren’t really learning. You might be building relationships for future work, but thats pretty hard to assess, so go with your gut. So to summarize: Make sure you are benefiting from this free work. If you believe in the cause thats also great. DO NOT work for “exposure”. Hope this was interesting for you. What do you think? Do you ever do free work? Cheers,Aleksey The post Should i work for free? appeared first on Ace5studios. View the full article
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Quick Tip 36: Colour Mapping
Beefdoctor,
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In this Cinema 4D Quick Tip we take a look at the Colour Mapping effect in the render settings. Colour Mapping allows us to balance a scene by controlling over exposed areas. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Quick Tip 36: Colour Mapping
Beefdoctor,
116 views 0 comments
In this Cinema 4D Quick Tip we take a look at the Colour Mapping effect in the render settings. Colour Mapping allows us to balance a scene by controlling over exposed areas. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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DIGITAL MEAT: Q2 2019 Livestream
Beefdoctor,
174 views 0 comments
This Livestream is an update about changes to the website and an opportunity to test out streaming in general. There will also be Live Chat so I can answer a few questions. The Stream starts on 05/05/19 at GMT+1: 10PM EDT: 5PM PDT: 2PM
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DIGITAL MEAT: Q2 2019 Livestream
Beefdoctor,
161 views 0 comments
This Livestream is an update about changes to the website and an opportunity to test out streaming in general. There will also be Live Chat so I can answer a few questions. The Stream starts on 05/05/19 at GMT+1: 10PM EDT: 5PM PDT: 2PM
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Starting out as a freelancer in the 3D/VFX industry
Vozzz,
501 views 1 comments
More and more people are going freelance? Why? Well the simple reason is that there are more and more people who want to do the work, but the amount of full time jobs isn’t growing as fast. Also with the amount of different skill sets available, most studio’s don’t need a lot of these people full time. For example I mostly do character rigging these days. Most studios don’t need a character rigger full time. They need one just a couple of times a year perhaps, or maybe even just once ever. So freelancing in general a better distribution of labor. There is a dark side to this trend though which everyone should be aware. A lot of studios hire freelancers because they know that most people are terrible at figuring out what they are worth and can be exploited. pressured and manipulated into doing waay more work for waay less money. Many studios will hire freelancers to avoid paying benefits or giving paid leave. This is my advice to every budding freelancer. Don’t do it unless you have no choice. Freelancing is hard. Finding clients is hard, standing out from every other freelancer is hard. There are 2 real reasons anyone should be a freelancer. The first category is people who can’t get stable employment and simply have no choice, and the second category is people who simply HAVE to be able to manage their own time, their money, their projects etc. Take me for example, I’m a freelancer because i simply have no choice in the matter. There is no way i can go into an office every day. It’s simply not in my DNA. And i also love all the aspects around being a freelancer. As a kid i really enjoyed playing economic sim games, where you get to run your own business. Being a freelancer is pretty much just like that. Except you can’t always just pour more money into something, sometimes you just have to do the work. You have to build your brand, handle advertising and marketing, promote yourself, negotiate prices, manage expenses, plan for catastrophes and a whole bunch of other stuff. So if you are thinking about being a freelancer, think about if you enjoy all this. Or does it stress you the ^%@! out. Because to lots of people it does. And if you just want to make animations or design characters, perhaps you are better off looking for employment where other people who are good at things like marketing and negotiations will take care of those things for you. Because remember there are only so many hours in a day. And you will be competing with people who really love what they do. If you want to go freelance, i always recommend teaming up with someone who complements your skills. So you can pull each other up. Or reach out to someone who is already freelancing and let them know what your special skills are. This leads me to the next topic Special Skills you need to have something that sets you apart. Being a generalist is important and as a freelancer it really helps if you are aware of the entire pipeline around you. BUT when you email someone or talk to someone, you need a hook, you need to be remembered for something. Some little piece of info, so when they are thinking “Damn i need someone to do this” They will instantly think of you. This kind of niche specialization also helps with google searches when people are looking for someone who does what you do. How many people are you competing with in your primary category? Know your competition and pivot so at least somewhere you come up at the top of the list. The last part of this post i want to bring up something very important and that is: “Love what you do” . Because if you are doing something you are not passionate about you will lose. Why? Because you are competing with people who LOVE what they do. Especially in the creative industry. So always think long and hard about how you are presenting yourself and what kind of jobs you are attracting. If you enjoyed this article, make sure to follow me. I got a whole series lined up. Next i’m thinking of writing an article on how to set prices and charge for your work. What do you think? Cheers,Aleksey The post Starting out as a freelancer in the 3D/VFX industry appeared first on Ace5studios. View the full article
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Cinema 4D: A Simple Lighting Setup
Beefdoctor,
212 views 0 comments
In this Cinema 4D video tutorial we put together a simple lighting setup. I have used this kind of of lighting in a lot of my tutorials, and have assumed that most users are aware of how it's pieced together, for beginners it may not seem so obvious. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Cinema 4D: A Simple Lighting Setup
Beefdoctor,
167 views 0 comments
In this Cinema 4D video tutorial we put together a simple lighting setup. I have used this kind of of lighting in a lot of my tutorials, and have assumed that most users are aware of how it's pieced together, for beginners it may not seem so obvious. If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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R9.6 tutorial on modelling a building
contrafibbularities,
466 views 2 comments
This is a very old tutorial I recorded back in Cinema 4D Release 9.6 (it was entitled "Modelling Architecture in Cinema 4D"). I took it offline a long time ago as it was outdated and not very useful anymore. I still keep getting requests for it occasionally though, which is why I have decided to re-upload it again. Sending people video files or temporarily uploading them to some file hoster was a bit of a pain. Anyone who has lost their downloads from back then or wants to revisit the tutorial can do so now. You can find the videos on Vimeo and YouTube. Cheers, contrafibbularities
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Free C4D Plugins: Use Old Plugins R20
Beefdoctor,
1329 views 0 comments
In this Cinema 4D video we take a look at how we can use old plugins in Cinema 4D R20, this can be achieved by downloading the Insydium Bridge. Digitalmeat.uk If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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Free C4D Plugins: Use Old Plugins R20
Beefdoctor,
2542 views 5 comments
In this Cinema 4D video we take a look at how we can use old plugins in Cinema 4D R20, this can be achieved by downloading the Insydium Bridge. Digitalmeat.uk If you would like to support Digital Meat, or follow me on social media, see the below links. Patreon: https://www.patreon.com/DigitalMeat3D Merchandise: https://redbubble.com/people/digital-meat Support: https://digitalmeat.uk/donate/ Facebook: https://www.facebook.com/digitalmeat3d/ Twitter: https://twitter.com/digitalmeat3D Google+: https://plus.google.com/+DIGITALMEA BEEF DOCTOR: https://www.youtube.com/channel/UC66f69qhgxy6YnZVMNaCtiA
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