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  • C4D Ver
    16 Student Ed.
  1. Hi there, I was wondering if anyone one had any thoughts how to create something like these circular irrigation patterns in mograph? ideally it would be done procedurally. seems like the sort of thing Mograph should be perfect for. Any ideas appreciated, H
  2. Hi there, Im trying to create this effect perhaps familiar from ps1-2 games, or when running a modern game with lowest settings where shadows appear very jagged and not antialiased. Partly this is to free up resources for volumetrics and other effects, but also i'm trying to get that sort of shadow of the colloussus ps2 feel. Any suggestions appreciated.
  3. harrymihalis

    Ragdoll physics from Mixamo rig

    Thanks for your response Dan. I'm using a mixture of ragdoll and hinges as reccomended in the 2 tutorials on rigging the built-n mannequin, but the angle limit is hard to understand and the limbs on the skinned mesh keep twisting too much and joints are often bending both ways even when I have specified a limit. I'm going to have a look at autodesk motionbuilder and see if I can make something in that which I can bake out and render in c4d... shame to have to leave c4d as usually it has everything one needs but I guess no program can be perfect . Thanks for your help.
  4. Hi there, I've been trying to find a solution for making a ragdoll rig from a character model rigged by mixamo. All I have been able to find are tutorials showing how to rig the built in mannequin, and these do not adequetly take account of orientation and the angular limit becomes extremely confusing and is often seemingly inverted or doesn't accurately display how it is actually effecting the movement of the collision objects. In my current set up I have made collision geomettry for all the bones and have connected them together with dynamic connectors as explained in the 2-3 tutorials on the subject available. Then I have created PSR tags on the bones of the mixamo rig and parented them to the collision geomettry. The result is semi-passable but the tools c4d has for this are clearly not designed to cope with a full body rig, or i'm going about it really wrong, because arms, legs and necks are twisting all over the place in horribly unrealistic ways. Unity has a beautifully simple tool for this where you simply drag the bones from the rig into corresponding slots and in generates a perfectly set up ragdoll asset, I was wondering if there are any alternative techniques or programs I could use to achieve a more realistic result. Ideally any solutions would result in an asset that I can bring back into cinema to throw around and render, as I have the lighting and environmental dynamics the way they need to be and would like to avoid having to try and replicate that in another program. Any help much appreciated, Harry
  5. harrymihalis

    Tangled venetian office blinds

    something like this? cords.mp4
  6. harrymihalis

    Tangled venetian office blinds

    no worries got it, something very obvious slipped my mind there
  7. harrymihalis

    Tangled venetian office blinds

    Ok silly question, but what is the exact process for converting a baked softbody simulation to geomettry at a specific frame? everything i'm trying looses the deformation.
  8. harrymihalis

    Tangled venetian office blinds

    awesome great idea, that was the main thing i was scratching my head over - I could also make the splines have dynamics so they move slightly around the blinds..,
  9. harrymihalis

    Tangled venetian office blinds

    Fantastic thanks so much! I'll let you know how I get on..
  10. Hi there, I'm modelling a scene of an office which has been trashed or abandoned and am wondering if anyone has any ideas on how to create tangled office blinds as seen in these two images. Any ideas much appreciated. Many thanks, H
  11. harrymihalis

    Oil Slick / Liquid Simulation

    hey just an update after much tearing out of hair over UV mapping in realflow i'm a little closer to a finished shot, here's a low res render from cinema. Slickspillslow-1-1.m4v
  12. harrymihalis

    Half Underwater shot

    sure yeah I use after effects to composit everything usually, but not aware of a way to automatically mask above a certain demarcation, say above an object buffer of the ocean rendered as white on black so useable as a luma matte in ae, so i was imaging having to tell the software frame by frame which to include, by paintbucket filling the area above or below white, and wanting to stay away from having to animate masks in AE as it never works out well for me :) maybe i can do it with a very low res rotobrush
  13. harrymihalis

    Half Underwater shot

    Thanks CBR that makes sense. I have a feeling i'll end up with an object buffer of the ocean and be filling the space above it white frame by frame in photoshop... obviously would like to avoid that if there is a smarter way but luckily the shot isn't extremely long, only about 30 seconds.
  14. Hi there, I need to make a shot that replicates this stock footage as closely as possible. https://www.shutterstock.com/video/clip-14617168-stock-footage--k-slow-motion-half-underwater-close-up-lost-at-sea-first-person-view-swimming-in-the-middle-of.html I will be making the water surface using realwave in realflow but my question concerns how to have two different environments for above and under water. Above water I need a sun reflecting specular highlights and some clouds in the sky (can use sprites or or any fast solution) and underwater i need to see the light from above filtered and refracted, and a blue/turquoise to black gradient following the underside of the wave to indicate distance, possibly some volumetric rays if time allows. The surface that realflow outputs is a single deformed plane so i was thinking of handling the point that intersects with the camera by outputting and rpf file to extract depth information and blurring the part closest to the camera. I can only find tutorials on making half underwater shots in photoshop, does anyone have experience with this? is it possible to use the real wave object as a mask and have two different lighting set ups and/or environments? Any thoughts appreciated, H
  15. harrymihalis

    Oil Slick / Liquid Simulation

    Yeah I don't really understand it either to be honest. I got some tips from a RealFlow veteran who told me I was doing several things wrong, so starting again armed with a better understanding of the parameters. The final render will be a close up of the central portion of the mesh, so those blobby edges won't be on show.